Heard a lot of Rex Murphy today, first on Fresh Air, then on his own show, Cross Country Check Up.

Made me think of the first time I met the man.

I’d just returned from living in France, so I’d been out of the CBC Radio loop for awhile.  One of my first bookings upon returning was recording a little voicer from someone I assumed was a freelancer.

I met the gentleman in the studio and he handed me his script.  I helped him get comfortable in the booth, asking him if he knew how to turn his mic off and on and whether he knew how to adjust the volume of his headphones.  I did this because I’d learned that many freelancers and guests come from backgrounds far removed from radio and any little thing you can do to help them get comfortable in a radio environment helps their performance.  This particular freelancer did not let on that I might be telling him stuff he already knew.

He did one and only one pass on the script, which was a commentary the subject matter of which I’ve long since forgotten.  I do remember that I had two issues with the freelancer’s performance.  One was a slight vocal stumble at one point, and the other was a word choice that I questioned.

When the freelancer came out of the booth I mentioned both issues.  I did so because when you’re working with mere mortals, and even when you’re not, everyone involved in the process usually wants to get things right, it’s just a part of the job to point out mistakes so that they might be corrected.

Instead of responding to my constructive criticism the freelancer thanked me for recording him and left the studio.  I remember thinking, well that was interesting.

It wasn’t too long afterward that I discovered the freelancer wasn’t a freelancer at all but a well established broadcasting personality in Newfoundland on the cusp of becoming a well established broadcasting personality nationally.  I don’t think he intended to be rude by ignoring my attempt to improve his performance in the studio.  I expect his confidence in his performance by that point in his career was such that he knew it was fine and that I was just being picky.   I can’t remember what word choice I had taken an exception to but knowing what I know about the man now I’m fairly certain that whatever it was he was right and I was wrong.  He was probably just bemused by my attempt to correct him.

I’m letting him off a bit easy.  He should have at least acknowledged my remarks before leaving the studio.  There was perhaps a little bit of the CBC “class” system at play, in which he was the talent and I the mere technician.

But I’ve met the man a few times since then and (although he never remembers me from encounter to encounter, there’s really no reason why he would) he’s always unfailingly polite and as far as I know a nice guy.  Plus I have developed enormous respect for him as a talent.   I love his commentaries and I appreciate his stance on most subjects (his remarks this morning on Fresh Air concerning the science and politics of Global Warming were spot on).  The sheer breadth of his vocabulary and the skill with which he wields his weapon of choice — words — commands my respect.

I can’t remember who wrote it, but the best line I’ve ever read about Rex Murphy was a blurb on the cover of one of his collection of essays.  Paraphrasing here, but it went something like:

“When Rex Murphy dies, they’re going to have to beat his mouth to death with a stick.”

Love that line, love Rex Murphy, a true Canadian institution.

Even if he did ignore my criticism.