Science Fiction


Yes, I am succumbing to the temptation to blog again… but I have an excellent reason (and a caveat). First, the caveat: I will not blog about the CBC. From this day forward, if I continue to blog, it will be a personal blog with no connection to my dayjob.

It’s just safer that way.

And now: on with why I’m breaking my silence.

Last night, on behalf of SF Canada, I presented the SF Canada Lifetime Achievement Award to Phyllis Gotlieb. And it was great!

I managed to get the award to the Merrill Collection in one piece, we
had quite a fair turnout, Lorna Toolis and her gang at the Merrill Collection had the whole place set up wonderfully with a terrific assortment of goodies. Robert Charles Wilson was there, along with Peter Halasz, Allan Weiss, and Fergus Heywood and Hilary Doyle from the CBC (oops, there I go mentioning the CBC) and many others whose names escape me at the moment.

I spent the better part of my commutes this week trying to figure out
what to say upon presenting the award. Here’s what I came up with
(more or less):

***
Everyone here knows Phyllis Gotlieb. You know her work; perhaps
you’re fortunate enough to know her personally. You might know that
she was born Phyllis Fay Bloom right here in Toronto, and that she was
educated in Toronto as well. I don’t have to tell you that she’s
written many fine novels, poems, short stories, and that her work
spans many decades and genres — that it is an outstanding body of
work. You already know that.

Did you know that she’s written radio plays too? Of course you did.

Phyllis is a founding member of SF Canada. Indeed, she is one of the
founders of contemporary Canadian science fiction. She has been and
continues to be a role model and mentor to many of us who consider her
a part of our extended family. In her groundbreaking career Phyllis
has been an editor, she’s been nominated for a Governor General’s
Award, and she’s even had an award named after one of her novels: The
Sunburst Award. And the award we’re presenting today isn’t her first
award – her novel A Judgment of Dragons, published by Berkley, won the Canadian Science Fiction Award in 1981.

You are no doubt familiar with the sheer scope of Phyllis’s work: with
her elegant prose, the gritty reality of her fictional worlds, and the
vibrant, sometimes tragic characters inhabiting those worlds. Such
work has made her a towering figure in Canadian literature, a pioneer
in Canadian science fiction. But her reputation transcends our
borders – her work is respected the world over.

It’s one thing to be accomplished. It’s quite another to be as
accomplished as Phyllis is and remain so darned friendly. As a
recipient of her generosity and warmth — one of many recipients, I
know – I am happy to attest not only to Phyllis’s towering
achievements as an artist, but also to her enduring humility.

All of which is more than enough reason to present our very own Grande
Dame of Science Fiction with this honour here tonight. Phyllis, on
behalf of SF Canada, I am thrilled to present you with the first ever
SF Canada Lifetime Achievement Award, along with my sincere
congratulations.
***

It’s not genius, but it’s sincere. Congratulations again, Phyllis.

Joe (making no promises when another post might appear…)

Larry Niven

Here’s another casualty of the untimely and senseless destruction of Assorted Nonsense Version 1 that I think is worth reposting.  It’s a brief conversation with science fiction author Larry Niven that I had at Torcon 3 in 2003:

Here’s a rather shifty-eyed Joe the Story Editor talking about the writing process on Canadia.  Why I can’t look in one place is beyond me.  My wife said I look nervous.  I don’t recall being nervous, but I was rather taken by surprise by the whole thing.  I hadn’t been told they were interviewing that day and I just happened to drop by the studio.  Matt said, hey, why don’t you give an interview about story editing?  So I did.  I’ll know better next time.

 There are a lot of infinitely more interesting interviews with infinitely better-spoken people on the subject of Canadia here.

Someday I’ll do a longer post about my experiences working on Canadia.

 Someday.

By Joe Mahoney 

Sleek and white, the Pegasus sped off toward other stars, away from Dolmar 2 and its two tiny moons. Inside the Pegasus, in the largest of the chambers adjoining the bridge, an alien artifact sat gleaming with silvery metal tubes.

The alien machine crackled and I saw John, reflected in a slender slab of the artifact, give a start.

“Aw damn, I’ve cut myself,” he said, and he had, on a sharp edge. You had to be careful. There were many sharp edges.

John plucked a towel off what I had come to think of as the manifold of the alien artifact. Although to tell you the truth I had no idea what a manifold actually was; it was just a word I’d picked up from somewhere. He wiped some strange blue substance from his hands and inspected the cut on his index finger. He seemed concerned about getting the blue stuff in the cut.

“Did you cut yourself badly?” I asked.

The blood drained visibly from John’s face at the sound of my voice. In contrast, a bright red blot welled up on his finger. Rudely, he ignored me. He placed the rag back down on the manifold and returned to work, and we worked together in silence for some time.

I could handle the silence only so long. I decided to explore aloud my thoughts concerning the alien artifact. It would probably be wasted on John, who had the intellectual capacity of a gnu, but I didn’t care. (I knew as much about gnus as I did about manifolds, but whatever they were, I had the impression that they were not particularly deep thinkers.) So I said, “I wonder what the people who built this machine were like?” John stopped what he was doing.

“The artifact does bear a certain resemblance to human machinery,” I continued. “This race must have had opposable digits. Although judging by the size of the parts, their hands must have been at least twice the size of human hands.”

John frowned. He held up an alien object that looked like a squished metal doughnut. He set it on top of a stubby pole that emerged from the compartment I thought of as the manifold and gave it a spin to get it going. It spun effortlessly down and around the pole until it reached the bottom.

“How do we know for sure this stuff is alien, Johnny?” John hated being called Johnny; I couldn’t resist.

He gave a good look around the chamber before responding. I have no idea what he was looking for; we were alone aboard the ship.

“No human beings made this machine,” he said.

“Oh?”

“Look what it’s made out of. I don’t even know what this stuff is. And I’m the first human being who’s ever been out this far.”

“You mean we’re the first,” I said.

I stared at John’s reflection in the artifact. His pale blue eyes stared back, and wrinkles creased his forehead.

“It looks alien, too,” he said. “Smells and feels alien. And I have no idea what the hell it is, couldn’t even begin to guess what the…” he trailed off.

“Is something bothering you, John?” I asked.

He chewed on his lower lip. “You weren’t here before.”

I laughed. Sometimes John had the craziest notions. The thing about John, though, he never hesitated to say what was on his mind.

“That’s it,” he said. “You weren’t here before.”

He began to pace. It helped him to think, I knew.

“Something’s wrong.”

“Now, John –”

“Be quiet!” he snapped.

“Get a hold of yourself, John. For goodness sake, relax. Why don’t we work on the artifact some more? It really is a beauty you know, and it’s going to make us a fortune back home.” The search for an alien object like this one had consumed much of John’s life. Hard won it had been, but so worth the effort. If only he could manage to get it back home.

Mention of the treasure succeeded in distracting John. I saw the pleasure in his eyes as he took in the machine’s wonderful contours. He brushed a finger over a fluted edge. “I’m not stupid, you know. You have something to do with this machine.”

As he fled from the room I had to hand it to John. Though not very bright, he was certainly a man of action. Had to be, or he wouldn’t have survived out here for very long.

For instance, the time the meteoroid breached the hull and penetrated the oxygen reservoir. Another man might have panicked and simply sealed the compartment. The ship’s main oxygen supply would have been destroyed within minutes. John, though, hit the pumps and flushed the reservoir’s contents below decks. Only then did he seal the compartment. His quick action saved us, no question.

Of course, only an idiot would have allowed his ship to be struck by a meteoroid in the first place.

John raced to the medical bay and I with him. The Pegasus’ medical bay was quite reasonable for a ship of its size — John had ensured that this was so before leaving home, increasing an already severe debt load. All of his debts would be paid for several times over when he returned with the artifact.

“What’s the matter, John? Aren’t you feeling well? Maybe you should lie down for awhile.”

He ignored me.

“I should tell you, I find it very disturbing that you don’t think I was here before. I hope you’re not going crazy,” I added, just to get his attention. He drew a sharp breath at that.

We examined his reflection in a mirror. Sweat glistened on his brow, and I thought that he looked pale. “You don’t look well at all. Why don’t you take an aspirin?”

“Shut up!” he said. “Or I’ll” —

“Or you’ll what? What could you possibly do? Throw me out an airlock? Really, John.”

He poured himself a glass of scotch and downed it. Afterward I felt a thrill as he gripped the glass tightly — might he be considering my suggestion about the airlock? But when he moved it was only to throw himself onto the diagnostic bench. He twisted the control panel until the unit hovered above his face. Punching several buttons, he set up a physical to include a blood work-up, catscan, and MRI. The diagnostic tube whirred forth and slid into place. It enveloped his entire body. Though he was supposed to lie still, I saw both his fists clenching and unclenching before it grew too dark to see.

As the program hummed about us, I asked, “Do you think you might have a cold or something, John?”

“You weren’t here before,” he said tightly. “I cut myself on the artifact, and then you were here.”

When the program finished John lay motionless for several seconds. Then he pushed the tube back and swung to his feet. He punched a monitor on and we read the results of the tests together. They were fairly concise. Anything considered out of the ordinary was highlighted at the beginning. It looked like he didn’t have a cold after all.

John mumbled some of the results aloud. “Damage to the corpus callosum. Hemispheric bicameralism. Cause unknown.” He leaned heavily against the counter. I was afraid that he might pass out. Indeed, I felt weak myself.

He managed to read further. The medical bay suggested that he be on guard for instances of catatonia and delusion, and that he be aware of the content and form of his thought patterns. It suggested dosages of chlorpromazine over regular intervals. Other than that, we read, nothing further could be done while onboard the Pegasus.

John slumped in a nearby seat. I wondered if he was aware of his right foot tapping rapidly on the deck. “This voice is only in my head.”

“That’s ridiculous, John. I can assure you, I am quite real.”

He massaged his temples, hard. “You are just me, thinking to myself. The diagnosis was clear about that.”

“Obviously the diagnostic system isn’t functioning properly.”

John stood and exited the chamber. I wondered if he was aware of where he was going.

It required a special code to access the airlock. I knew it off by heart. Predictably for a man of John’s limited intellect, the code was simply his wife and children’s names coded numerically. John punched the number as I repeated it to him.

“Seven two two,” I finished. The first steel door shushed open. We smelled stale air.

John stepped forward. “I wonder if anti-psychotic medication would help?” he asked.

The door shut automatically behind us. With a dull thud and a series of sharp clicks, the mechanism locked securely into place.

“We don’t carry chlorpromazine, John. Besides, those neural pathways have been destroyed. They can’t be regenerated.”

I recited the code for the final panel. John stabbed at the buttons. The warning sounded and John looked surprised. We shared a magnificent view of our ship speeding off into space before his eyes burst.

I managed to say just before he exploded, “Also, I think air pressure is really your biggest concern right now.”

The End

Orginally published in SDO Fantasy and anthologized in “The Best of SDO”

I hit page 180 today of the final draft of A Time and a Place.  Yes, I should be further along than that but Christmas came along and with it the usual complement of gluttony and sloth.  Holidays never fail to blow ginormous holes in my writing schedule, holes that make the one in the ozone layer look like a mere pockmark on Brad Pitt’s forehead.

The novel is divided up into four parts, and page 180 marks the end of part two.  Poor Barnabus J. Wildebear isn’t faring so well.  Our hapless hero will require much of parts three and four to get his act together and save his nephew — if he can.  Fortunately for both of us, parts three and four will be slighter shorter than parts one and two. 

Those of you less mathmatically challenged than the artsy writing this will have discerned that I’m officially well past the half way point in this, the final draft of A Time and A Place.  I was tempted to ask for some dedicated readers at this point so that they could completely discourage me with their devastating criticism of what (let’s face it) is more than likely a pile of complete rubbish, absolute rot, a waste of both my time and theirs, but I chickened out.  Maybe later…

…once the manuscript has been languishing in the bottom of a trunk for seventeen or so years, after having been rejected by every reputable and disreputable publisher on seven or eight continents, and shortly before my recovery from a hellish descent into alcoholism (marked by a disturbing obsession with small gibbon monkeys).

I just stumbled across a blog post that contained the following in the comments:

“…back to CBC, especially CBC-AM — it isn’t perfect by any means, and sometimes it tries to chase popularity a bit too much, but when it knows what it’s doing it’s fantastic. I like Ideas, myself, weekdays at 9 p.m., and also we’ve got a couple goddamn funny radio shows on there. And, hey, I like that we can all tune into the same thing, all over the country.

I just wish they hadn’t killed off their science-fiction radio-play show from a few years back, I thought it was really impressive. The first broadcast featured a play made from The Cold Equations, and it was outstanding. Think what they could’ve done with, I don’t know, a serialization of Foundation, or something! So much material to pick and choose from, I can’t believe it didn’t fly. I met Spider Robinson recently at a party, and just missed buttonholing him about this: “come on, Spider, call CBC up and tell them you’ll host that show! You know you want to!”

I may still tell him that.”

Got a serious pang reading that.  He’s talking about Faster Than Light, a pilot I produced with Robert J. Sawyer a few years back.  It had been my intention to adapt a wide variety of classic science fiction stories in future episodes.  Alas…

The pilot, which aired on Sunday Showcase, received excellent listener response.  The deputy director of the department championed the show to the Program Director.  When told how much mail the show had received over a short period of time, the Program Director responded: “You see, that’s the problem with a show like that.  Once you put it on the air you’ll never get it off!”

That Program Director didn’t last long.  Sadly, neither did Faster Than Light.  But it’s great to know that someone out there liked it.

I hit page 170 of my novel-in-progess (working title ”A Time and a Place”) today.  That’s 170 final draft pages.  It’s going to come in at about 340 pages so I’m halfway through the puppy.  I do have it written all the way to the end; this is essentially the final draft that I’m writing.  It’s still time consuming though, painstakingly so, especially considering I’m tackling it about 35 minutes at a time twice a day five days a week, on the Go Train.  I do the odd bit at home, but it’s difficult to find the time there considering our hectic family schedule.

If I manage a page a day for the next 170 days I’ll finish it in just over half a year.  But it’s pretty rare that I finish an entire page a day.  Usually I manage a paragraph or two.  So I’m probably looking at at least another year on this.  Fortunately I love working on it.

A friend suggested that maybe I don’t want to finish it, and that’s why it’s taking so long.  I can assure everyone that is not the case! I desperately want to finish it.  But I want to finish it properly.  And it just takes a long time to do that.  Can I even be certain that it will be good (let alone work) once I’m done?  Sadly, I can’t.  I like it so far, but that’s far from a guarantee that anyone else will.  However, I have long since reconciled myself to the fact that ultimately I’m writing this novel for myself.  If anyone else likes it (let alone purchases it), that will be gravy.

One reason I desperately want to finish it is because I already have a sequel in mind.  In fact, I have it all mapped out.  The first portion of the sequel was broadcast on CBC Radio in 2002 on Faster Than Light… a little radio play called Captain’s Away.  I proposed it as a series but I expect I proposed it to the wrong person.  Alas, it was never picked up.  So I’d really like to do it up as a novel.

Here’s a snippet of some final draft “A Time and a Place” just to whet your appetite… um… or convince you not to bother with it.  (Here’s hoping for the former):

XI 

      It was awful – the light too bright and the sounds too loud.  I cried out and curled up into a ball to protect myself.

      “Wildebear!  Can you hear me?  What’s the matter with him?”

      “He’s not used to it.”

      “Will he be all right?”

      “He should.”

      “Should?”

      “He might not.”

      “Will he or won’t he?”

      “That’s what you’re here for, doctor.  To see that he’s okay.”

      “Hmph.  What happened to him?”

      “Not much.  Plenty.”

      “That’s an infuriating thing to say.”

      “I’m sorry.”

      “Don’t be sorry – just don’t say anything like that ever again.”

      “I can’t promise that I’ll” –

       “Okay okay, just — where was he, anyway?”

      “Where he needed to be.”

      “Oh for crying out – Wildebear!  Wildebear, it’s me, Humphrey.”

      I peeked out from between my arms to see who was talking.  Humphrey – the name sounded familiar.  He had a lot of meat on him, this Humphrey.  He’d make a sumptuous meal.  And I just happened to be starving.  Although a part of me knew that there was something very wrong with the idea, I unfurled myself in anticipation of a feast.  Catching a glimpse of one of my front paws, I was shocked to discover that it was almost completely hairless.  My God!  Was I ill?  I emitted a most un-T’Klee like whimper and curled back up.

      “Physiologically he’s all over the map,” a voice said.  “His pulse is racing and his serotonin levels are dangerously low.”

      It had come from my front foreleg.  Something shiny and gold was attached to me.  I tried to lick it off.

      The creature Humphrey leaned down to touch me.  Instantly I whirled on it, but something was the matter with my reflexes.  Before I could deliver the coup de grace the Humphrey creature grabbed hold of me and held fast.  I found myself in the embarrassing position of having been captured by my own prey.  It was like having been bested by a bandaloot.  I hoped that none of my brothers were around to see. 

      Except that… I had no brothers.  It was Cat’s brothers I was thinking of. 

      And I was not Cat.

      Was I?

      “Damn it Wildebear, what were you trying to do?  Slit my throat?”

      Humphrey.  Humphrey!  It was my old friend Doctor Peter Humphrey – and I had been about to eat him!  What had I been thinking?  Awfully confused, flitting back and forth between two identities, one human, the other a cat, I could not have said with any degree of certainty who or what I was just then.

      “You should think about cutting your nails once in a while,” Humphrey muttered.

      A thin red line had emerged on the side of Humphrey’s neck.  My attempt to dispatch him had come altogether too close for comfort. I started to apologize, but couldn’t seem to get the words out — talking involved using whiskers I no longer possessed.

      Humphrey let go and stepped back.  I desperately tried to pull myself together.  I had no fur, no whiskers; I was, therefore, not a cat.  I was a human.  And humans spoke with their –

      “Humphrey!  I – I’m so sorry.  It’s – it’s good to see you alive!”

      He touched a finger to his neck.  The tip came away red.  “Little thanks to you.”

      I rose to my feet and took in my surroundings.  We were in a small room blanketed in luxurious pillows and blankets.  Frills, tassels, reds and purples abounded.  The furnishings would not have been out of place in a Sultan’s tent… or that of a T’Klee.  Humphrey and I were not the only ones in the room, I saw.  Iugurtha was there as well. 

      I began backing slowly away.

      “You’re scaring him,” Humphrey told her.

      “It’s not me he should be afraid of,” she said.

      And with that everything fell into place.  Suddenly I knew precisely who I was, where I was, and what I had just been through.  It seemed incredible, but I had just spent several days, possibly weeks, living inside the mind of an alien cat.  I had witnessed the subjugation of a people I had come to love by a race of horrible monsters.  After an experience like that it was a wonder I was anything resembling sane.

      “Wildebear.”

      “Yes, doctor.”

      “You’re licking the backs of your hands.”

      “Ah.”  I stopped and considered.  “So I am.”  Then, because there really was no better way to relieve stress, I resumed licking in earnest.  “Please don’t ever throw me through the gate again,” I told Iugurtha in between licks.

      “Once should suffice,” she said.  “What is your opinion, Doctor?  Is he in good health?”

      “Nothing a little bed rest and years of psychotherapy won’t fix,” Humphrey replied.

      Mention of rest made me realize how exhausted I felt.  I excused myself, curled atop several of the fluffiest pillows I could find, and purred myself to sleep in a matter of seconds. 

Courtesy of Edward Willett:

Best Long-Form Work in English
* Children of Chaos, Dave Duncan (Tor Books)

Best Long-Form Work in French
* Reine de Memoire 4. La Princesse de Vengeance,
Elisabeth Vonarburg (Alire)

Best Short-Form Work in English
* “Biding Time,” Robert J. Sawyer (Slipstreams edited by Martin H. Greenberg and John Helfers, DAW [and also in The Penguin Book of Crime Stories, edited by Peter Robinson])

Best Short-Form Work in French
* “Le regard du trilobite,” Mario Tessier (Solaris 159)

Best Work in English (Other)
* Neo-opsis Science Fiction Magazine, Karl Johanson, editor

Best Work in French (Other)
* Aux origines des petits hommes verts
Jean-Louis Trudel (Solaris 160)

Artistic Achievement
* Martin Springett [www.martinspringett.com]

Fan Achievement (Publication)
* Brins d’Iterniti, rid. Guillaume Voisine
(www.alegracia.com/brins/faq/faq.php)

Fan Achievement (Organizational)
* Cathy Palmer-Lister (Con*Cept)

Fan Achievement (Other)
* Fractale-Framboise,
Eric Gauthier, Christian Sauve, Laurine Spehner
(blogue/blog)

Next Year’s CanVention: KeyCon 25 in Winnipeg, a four-day con over the Victoria Day weekend.