Time now to amuse myself by revisiting the Publishers Weekly review of my novel A Time and a Place.

Generally I don’t react much to reviews. Well, I do write to reviewers from time to time to thank them for taking the time to read A Time and a Place and for writing a review. I will even do this sometimes for less than stellar reviews–hey, everyone’s entitled to their opinion. But I will not engage them or take issue with their reviews, and I’m only commenting on this one from Publishers Weekly, because, well, it amuses me to do so.

And no, in case you’re wondering, I’m not missing an apostrophe when I write “Publishers Weekly.” Apparently they dropped the apostrophe a while back; I don’t know why. Can we take a review seriously from a publication that doesn’t even know how to punctuate its own name properly? Sure we can! Especially if it’s a positive review. 🙂

Now, is drawing attention to a positive review in Publishers Weekly boasting? Of course it is! That is, if bragging about a review of an almost entirely obscure book that’s sold (let’s face it) hardly any copies (compared to say, J.K. Rowling) and written by a completely unknown author can be said to be bragging.

Anyway, onward:

Our anonymous reviewer begins thusly:

“Debut author Mahoney…”

I choose to imagine our reviewer as female. A part of me suspects it’s someone I know. Someone doing me a favour, maybe. A moonlighting friend, say, scoring a few extra bucks writing reviews for Publishers Weekly during her scant precious free time to supplement her meager public broadcasting income.  Why else review a debut novel by a completely unknown author? I have no other evidence to support this conjecture. Whoever it is will carry their secret to the grave.

“…this entertaining, chaotic adventure.”

Whoever the reviewer is, I think I love them. They called my book entertaining! And chaotic isn’t bad, is it? Not if the chaos is entertaining! And who doesn’t like adventure? It seems a very positive review so far.

“…temporal loops where effects come before causes…”

She’s actually read the book. No head scratching on the part of this reviewer. She might even have understood the book better than I did. When I read that line I had to stop and think about it. Yes, effects do come before causes in A Time and a Place. Heck, had anything happened to me while writing A Time and a Place this reviewer could easily have stepped in and finished writing it for me. She understood what she was reading. She could summarize it afterward effectively, pithily. I should have had her write the synopsis and query letter before pitching it to publishers. Could have saved me a lot of time. Maybe got me a better deal.

“Mahoney skillfully (but unsubtly)…”

My head almost exploded when I read that. Skillfully! A reviewer for Publishers Weekly thinks my writing exhibits skill! It almost makes me want to write this blog post well. The word “skill” gives me joy. I spent years writing  A Time and a Place trying to get it right, and not just right but exactly right. Can you say validation, anyone? And from someone who obviously knows how to write well themselves because this is one, well, “skillfully” crafted review. And I’m not just saying that because they think I write “skillfully.” Okay, maybe I am. But still.   

Oh, but then there’s that “unsubtly.”

Was that “unsubtly” really necessary? Could we not have just left it at skillfully? Perhaps that was to ensure that I could get my head through doorways in the future. Okay, clearly she’s saying that A Time and a Place wasn’t quite as subtle as it could have been. Noted. I’ll try to do better next time.

“…moments of comedy, tragedy, horror, and philosophical contemplation of time, free will, and personal responsibility.”   

That pretty much sums up what I was trying to do. I mean, aside from just trying to get the damned thing written. Here our friendly neighbourhood reviewer conveys the sense that she both understood what I was trying to do and maybe even—dare I say it?—appreciated it.

“Despite occasional segments that distract or feel a little overdone…”

Okay, so it’s not perfect. I accept that. I may have been a tad self-indulgent here and there. Perhaps I should have taken out the line about Ridley’s nose that Arleane (the first editor of A Time and a Place) wanted me to cut. You know the one:

Emotion played over Ridley’s face like ripples on the surface of a pond. A pond from which, I might add, his nose protruded like the dorsal fin of a shark.

Again, noted.

Mahoney’s work is great for those who like their speculative fiction thoughtful, eloquent, and messy.”

The final line of the review. The money line, really—the one I quote when promoting the book. Sporting an Oxford comma, no less. As if we didn’t already accept this reviewer’s credentials.

What did she mean by “messy?” Something to do with the plot, I imagine. I don’t really know.  Who cares?  

Not me.

Not after a review like that.     

Here’s the review in its entirety:


A Time and a Place
Joe Mahoney. Five Rivers Chapmanry, $38.99 trade paper (412p) ISBN 978-1-988274-25-6

Debut author Mahoney sends a mild-mannered fellow on an interdimensional journey in this entertaining, chaotic adventure. Barnabus Wildebear needs to know why his teen nephew and ward, Ridley, is acting so strangely. Unfortunately the cause is an ominous entity, possibly a demon, named Iugurtha. She whisks Ridley away to dimensions unknown while implanting mysterious information in Barnabus’s mind that allows him to (sort of) control portals to other dimensions and times. The odyssey that follows bounces him to other planets, the minds of other people and creatures, temporal loops where effects come before causes, and a war against a merciless enemy seeking to steal the knowledge in his head. He’s accompanied by an increasingly vocal artificial intelligence named Sebastian. Mahoney skillfully (but unsubtly) uses Barnabus’s multilayered adventures to yank readers into moments of comedy, tragedy, horror, and philosophical contemplation of time, free will, and personal responsibility. Despite occasional segments that distract or feel a little overdone, Mahoney’s work is great for those who like their speculative fiction thoughtful, eloquent, and messy. (Oct.)