Category: History (Page 2 of 5)

Ozark, My Favourite Cousin, and Me

Tom Pelphrey as Ben

(This post contains spoilers for the third season of Ozark)

The other day, during a walk with my wife, I burst into tears.

During the pandemic we’ve gotten into the excellent habit of going for long walks. We find them therapeutic. On this walk, I was telling Lynda about some family history we’d never really got into before.

“He was my favorite cousin,” I told her, and then I burst into tears.

I actually stood hunched over on a corner racked with sobs for what felt like several minutes before I regained control. The last time I cried anything like that in public was twenty years ago, during the end credits of Life is Beautiful, the movie with Roberto Benigni.

This time also had to do with popular entertainment, but it’s much deeper than that.

Three nights earlier Lynda and I had finished watching the third season of Ozark. The season had begun by introducing a character who quickly became my favourite on the show, the brother of Laura Linney’s character. His name was Ben (played by Tom Pelphrey), and it soon came out that the character had bipolar disorder. This became a major plot point, and in the season finale things did not end well for Ben, so much so that I was devastated. I did not cry then, but I was wounded, and it lingered with me for three days, until Lynda and I took our walk, and it all came out.

Apart from the incident with Life is Beautiful, I’m not normally in the habit of crying during or after movies or TV shows. I’m usually immune to entertainment’s emotional manipulations. But this one hit close to the bone. It was more than Ben’s fate that did me in. It was reality. My reality since about the age of twelve.

No, I’m not bipolar. I’ll try to explain, the way I did to my wife during our walk.

When I was about twelve my parents gave me a gift. It was a book. They told me it used to belong to my Uncle Bill.

I wasn’t aware I had an Uncle Bill, and said so.

I don’t know how much my parents told me that day, but over time I learned that Uncle Bill had been institutionalized for schizophrenia back in the fifties. He spent most if not all of his life institutionalized. It’s my understanding that he experienced electroshock therapy during his time in the institution, back before they perfected that. I never met Uncle Bill.

When my parents gave me Uncle Bill’s book something was said. I don’t remember what, exactly. But it was something like Uncle Bill was creative and so are you so it seems appropriate that you should have this book. It was a perfectly innocent remark and it was meant as a compliment. But it had the inadvertent effect of creating, in my young, impressionable mind, a link between Uncle Bill and me.

Around this time, at the age of twelve, my best friend Kevin Brown moved away. A slew of friends I’d been friends with since Grade One drifted away. I found myself isolated. Some jerk at school began bullying me. I got moved out of my bedroom upstairs into the basement while my father built a new bedroom for me. One night, alone in the basement, just before I drifted off to sleep, I experienced the unmistakable, unfathomable presence of evil in the form of absolute despair.

That’s what it felt like, anyway—a fleeting glimpse of horror, of utter hopelessness. It lasted only a few seconds, but it shook me to my core. I had not known it was possible to feel such abject terror.

It was a long time ago so I don’t remember the exact chronology. But around then I decided I no longer wanted to go to school. Every morning, within minutes of waking up, a pit formed in my stomach. I lost the ability to eat breakfast. I just couldn’t eat. It would be eighteen years before I would be able to eat a full breakfast again in the morning. For a while there I couldn’t talk either, in the mornings. I remember reluctantly walking to school with my sister Susan while she tried in vain to understand why I wouldn’t talk. I wouldn’t have been able to explain even had I been able to open my mouth. I could only nod or shake my head at her questions. Once, or twice, or maybe thrice, I felt so weird during class that my mother had to come to school to take me home. She wasn’t happy about it. She didn’t understand. Neither did I.

I thought I was either crazy or about to go crazy, but I couldn’t tell anybody about it. I had to deal with it myself. I was absolutely certain that what had happened to my uncle Bill would happen to me. I didn’t know it but I was grappling with the inability to prove a negative. There was no way to prove to myself that I wouldn’t go crazy. Because I could have! Logically, if Uncle Bill had gone crazy, if people could go crazy, then it could happen to me. Only time would tell. This fear, together with the increasing isolation of my social circle, did me in, for a while.

It lasted until the summer. Sometime after school let out, my parents got us a puppy, Sarge, and took Sarge, my three sisters and me on a three week long trip around the Maritimes. We camped in Prince Edward Island, drove the Cabot Trail, visited my old friend Kevin Brown in Sydney, Nova Scotia, visited relatives in Norton, New Brunswick, and visited more relatives in northern New Brunswick. The trip was sufficiently eventful and fun that I forgot all my fears and returned to normal. I especially enjoyed visiting my cousins in Johnville, New Brunswick, including my cousin James, who was the same age as me.

James was a lot of fun. He and his brothers taught my sisters and me how to play many card games, and one night we camped outside their old farmhouse on the old Mahoney homestead. That night James told me the funniest joke I’d ever heard up til that point in my life. “What’s big and hairy and sticks out of your pyjamas?” he asked me. 

I laughed and laughed, and I hadn’t even heard the punchline yet.

“What?” I asked.

“Your head,” he said.

I just about died at the age of twelve laughing.

James was my favourite cousin, I decided.

By the time I started Grade Eight, I had recovered from my anxiety, and no longer thought I was going crazy, and replaced all that with an almost but not quite crippling case of self-consciousness, especially around anybody I thought was better than me, and girls. I thought just about everybody was better than me, especially girls, so I was pretty much self-conscious around everybody. Still, I’d replaced the old set of friends with a new set and with thoughts of my poor uncle out of my mind I was more or less happy for the rest of my teens.

I don’t remember seeing much of cousin James until later on in my teens when we visited my Aunt and Uncle’s cottage on Skiff Lake in New Brunswick. James and I found time to do a bit of canoeing around the lake together, and I quickly discovered that he wasn’t quite the same James as I remembered. He told me tales of a trip to Toronto that did not sound quite right to me, adventures so fantastic and prurient that I did not think they could be true, and that whether true or not I found disturbing. I found I couldn’t relate to him, and alas he became no longer my favourite cousin.

On January 17th, 1985. I was attending Ryerson Polytechnical Insitute (it wasn’t a university yet) in Toronto. I was a long way from home, in a completely new environment, with a whole new set of friends, but I was having a good time. By this time I was keeping a journal. On that date I wrote:

“I am susceptible to two different kinds of depression. One I’ve felt all my life; I call it the ‘Black Irish Mood.’  …the other depression borders on clinical depression.  I’ve felt it three times that I can remember. I get it when I’m extremely tired or physically run down. I felt it for a large part of grade 7, for the last few weeks of summer, and I feel it occasionally now. It scares me. It is characterized by feeling totally out of control of my life. I feel at the mercy of unknown forces.”

I would come to think of that first year in Toronto as one of the best years of my life. Still, that journal entry hints at some dark clouds assembling on the horizon.

All remained well until I returned home to the island for the summer.

On May 5th 1985, I wrote:

“Since getting home I haven’t been feeling like myself.” 

This was a bit of an understatement. On June 17th I elaborated:

“This last week has been one of the strangest weeks of my life, at least psychologically speaking.  All Wednesday night I felt real uncomfortable, and it wasn’t the first night I’ve felt like that. It was like a feeling of anxiety or nervousness.  I had to go plant strawberries at Burn’s Poultry Farm on Thurs, so maybe I was a bit apprehensive.  Why I don’t know; I couldn’t control the feeling. …for some reason I was gripped by anxiety, a pit in my stomach. I thought I was becoming depressed, but there was no reason for it.  Weird ideas and thoughts came unbidden into my head (e.g., suicide, not something I would ever consider seriously).  It crossed my mind that maybe I was on the road to a nervous breakdown or insanity.  I tried to reason with myself, but the pit in my stomach wouldn’t leave. I think it is gone now…I never want to experience it again.”

I would experience it again many times. It was a bad summer. And a bad fall. It was everything I’d felt when I was twelve years old multiplied by one hundred. I became distant from my friends. I became concerned for my state of mind. I was afraid I was going crazy. I WAS crazy, kind of. I thought about how I was feeling constantly. I could hardly concentrate on my summer job. I told no one but my journal:    

July 23 1985

“I still suffer the occasional feelings of anxiety or depression or whatever the hell it is.”

On September 4th, on my way back to Toronto for my second year at Ryerson, I experienced my first panic attack:

“Well, when I hit the plane I wish I knew what hit me. I had a really scary attack of the nerves, at times really bad, that lasted until about 2 hours after I landed.  No reason, no warning, nothing.  Scared the hell out of me. Feeling of total emptiness, of despair, and I knew that if it kept up, a total breakdown, & maybe suicide, was inevitable.”

From that point onward I lived in fear of more panic attacks. I was right to be afraid, because they kept coming. I would have them at night. I would get up and run around my apartment trying to make a panic attack go away, or keep it at bay. I would drink a glass of water, not because I thought the water helped, but because the act of getting the water and drinking it distracted me. I would have panic attacks in the morning after waking up, and run around the apartment like a madman, out to the balcony for fresh air. I would have them during the day, alone, with friends, in class, the entire time convinced that I was going crazy, that it was only a matter of time until I suffered a complete nervous breakdown, whatever that was.

I kept the way I was feeling entirely to myself. I pretended I was okay. There’s a picture of me with my friends and roommates on Thanksgiving after baking a turkey. We’re all standing around the turkey smiling at the camera. My smile is too big, unnatural, entirely fake. What was going on outside was entirely at odds with what was going on inside.

One day one of our professors at Ryerson paired each of us students up for an exercise.  I was paired with a young woman whose name I wish I could remember now. She was nice, I liked her. We were told to interview one another. Ask one another a bunch of questions, get to know one another, and afterwards, share our impressions with the rest of the class. I was a mess, but I got through it okay.

“What were your impressions of Joe?” the professor asked.

“Calm,” she said. “Confident. In control.”

Anything but, I was shocked that I came across that way. But the turmoil I felt was completely inside. I did not let anything out, except rarely. I told two friends how I felt, but they were too young, had no experience in such matters, and could not help me. One of them teased me about it later, while I was still in anxiety’s horrible grip. I mention it, but I don’t hold it against him.

I went to see Ryerson’s doctor, explained my symptoms. I remember him as being older than I am now, writing this, though he might not have been. We might as well have been on two different planets. He attributed my symptoms to stress, which sounded too much like, “it’s all in your head” to be of any help to me. He couldn’t—or didn’t—help me.

I remember long, long walks at night, around enormous city blocks in the cold, to chill the fear out of me. It kept the panic attacks at bay but did not otherwise help much.

Still, a part of me resisted this invisible, relentless foe. Though I could see no end to my suffering, tiny nuggets of hope occasionally appeared to sustain me. A grandmother wrote to an advice column that she had suffered depression all her life, only to have it mysteriously lift in her old age, and now she could enjoy her grandchildren. If it could happen to her, it could happen to me. Maybe I would be fine in my old age. It was something to cling to.

One night when I decided I needed professional help. I visited Princess Margaret’s Emergency department. The emergency physician asked me several questions. The only one I remember is whether I was gay. I guess he figured maybe I was struggling with that. That wasn’t it. I asked if I could see a psychiatrist. He said the waiting lists were long, but he’d put me on one. I never did hear from anybody.

I went home for Christmas that year, barely holding it together. Fake smiles, fake Christmas cheer. I felt better when I drank, so on occasion I drank a lot. One night at the local hot spot in town—it may have been the Regent—it was Zombies. You know, to turn me into a zombie. I drank one after another. They had no absolutely effect on me until suddenly they did. My mother was waiting up for me. Even less impressed than when she’d had to retrieve me from school back when I was twelve. The next morning we had our family picture taken. Shortly before the shoot I was in the bathroom puking my guts out.

“We have to get our picture taken in fifteen minutes and listen to this!” Mom complained to my father outside the bathroom. I barfed, on cue, sick, depressed, but amused.

That family picture hung on the living room wall for years. Punishment, I guess.

Waiting in the Charlottetown airport to return to Toronto, I found a patch of sunlight by a window, sat in it, and reflected on my state of mind. I decided then and there that I had to beat this thing, whatever it was. There was nobody to help me, only me. I had decided this before but it never quite took. This time resulted in a subtle shift in attitude. A positive bias that hadn’t existed before. Back in Toronto things got better. Not all at once, the panic attacks didn’t quite go away—I continued to have them off and on for years—but I dealt with them better. My fear of going crazy gradually vanished. I wasn’t going to become like my uncle. I wasn’t going to become schizophrenic. I became myself again—happy.

Meanwhile, my cousin James, my erstwhile favourite cousin—the same age as me—was diagnosed as schizophrenic. He attended university in Ottawa. I don’t know the whole story, but one day after he stopped taking his medication they found his car abandoned in a field. The driver’s door was shut and his wallet, money and identification had been discarded on the passenger seat. The passenger door was ajar. None of us has ever seen James again. They never found James’ body, and they never found James.

Thirty-four years later I watched Season Three of Ozark and rooted for my favourite character Ben, who suffered from Bipolar Disorder—not the same disorder, I know, but it resonated, like all great art.

It had all ended okay for me because I’m lucky.

It did not end well for Ben, but that doesn’t really matter because he doesn’t even exist, other than in our imaginations.

But there are those who have existed, and my cousin James is one of them, and it didn’t end well for him.

Three days after I hurt for bewildered, betrayed Ben as he stepped out of that restaurant in that final episode, I stood on the street with my wife, and said, “He was my favourite cousin.”

And it brought forth such a well of long suppressed feeling that I cried for James, and for my Uncle Bill, and for my younger, hurting self, I think.

And then I had to explain it all to my wife, as I’ve just done for you.

What the Wind Brings: A Five Star Book Review

Matthew Hughes, at the top of his game

Matthew HughesWhat the Wind Brings is a compelling tale of slaves shipwrecked on the coast of Ecuador attempting to secure their freedom by establishing their own nation (it’s based on a true story). It’s also a captivating tale of outsiders trying to find their place in a frequently hostile world. And it’s historical fiction with engaging dashes of magical realism.

This is the work of an experienced, accomplished writer working at the top of his game. Hughes believes it’s his best work; I will not argue the point. Hughes clearly put a lot of thought, effort and research into What the Wind Brings and it shows in the best possible way. The detail is entirely convincing and not overbearing; Hughes knows how to evoke a place and time while getting on with the interesting bits.

But the story, while fascinating and expertly told, is not the best part. The best part is the characters. Alonso, desperate to make himself useful. Anton, an escaped slave turned war chief and possibly his own worst enemy. Alejandro, a young Trinitarian monk seeking captives to shepherd, entirely without guile. And most compelling of all, Expectation, a Nigua hermaphrodite and healer, and our guide to the spirit world, tolerated (if not hated) by those who benefit from her unique skill set. Along with a host of other characters no less expertly drawn despite less page time.

What the Wind Brings was published by Pulp Literature Press, a Canadian Small Press (one of the few left). They only started releasing novels in 2017. The quality of the physical copy I read (the trade paperback edition) is on par with that of any publisher, large or small. The book is lovingly put together, from its Willem van de Velde cover art (I do love a nice matte cover) to its professionally copy edited interior, always a joy (and relief) to see.

What the Wind Brings is a superb book by a skilled storyteller that I strongly suggest you move to the top of your Want To Read list.

Neil Munro and Barry Morgan

I stumbled across the following recently which had appeared on an early version of this blog (July 14th, 2009, to be precise), before the blog self-destructed shortly afterward (one of a handful of blog implosions over the years). I like to recapture this sort of thing for the modern incarnation of Assorted Nonsense so that it doesn't get lost to time and also because it keeps alive the memory of some important, interesting people in my life. 

Neil Munro

aka “Inspector Nickles” (Photo by David Cooper, Shaw Festival.)

Neil Munro has passed away at 62 years of age.

I was fortunate enough to work with Neil off and on over the course of two or three years. Although they don’t mention it in the notice at CBC.ca, one of Neil’s many accomplishments was starring as Inspector Quentin Nickles in The Investigations of Quentin Nickles , for CBC Radio’s Mystery Project.

Working on these plays I had the opportunity to observe Neil’s craft up close.

You had to be a skilled actor working on these shows. Producer/Director Barry Morgan was a one take wonder. Rarely did we ever make it up to take two. So the actors had to get it right the first time, and they almost always did. If we had to do a second take it was usually because one of us technical types had screwed something up, or one of the sound effects engineers was caught on tape snoring during a brief siesta (that actually happened once).

Neil also wrote/adapted several radio plays; I remember recording and mixing two or three wild and crazy examples of his work. The names escape me now, but I recall them as full of mirth and inventiveness.

I remember Neil Munro as not only a consummate professional but as a genuinely warm and friendly man. He deserved better than to have died at 62, it seems to me. As Truman Capote said, life is a moderately good play with a badly written third act.

In Neil’s case, I’m afraid someone eliminated the third act altogether.

So long, Inspector Nickles.

My friend and colleague Barry Morgan, whom I referenced in the post, responded with a comment which I thought was gently chiding in nature. I realized that I may have irked him slightly with my remark about doing everything in one take. I hope not, because Barry was a great guy and I hate the thought that I might have annoyed him.

Anyway, here's what he wrote in response:

Barry Morgan

Writer, Producer, Director, All Round Nice Guy

 Joe, a really nice appreciation of Neil.

Perhaps I can clarify the “one take” reference.

It was because Neil brought his incredible energy and focus to the rehearsal session before we ever got to the studio floor. The work was already done. And beyond that his electricity energized his fellow cast members to the point that the performance bar was raised far above the level of `excellent`.

We have enjoyed a long history of fine radio actors from the days of John Drainie, Jane Mallet, Frank Perry and a great many others. Neil Munro was certainly among the front rank of those incredible talents.

It was a great privilege to have him around to make all of us look better.

I will always treasure his friendship.

Pandemic Questions

(Image courtesy of Pexels and Anna Shvets)

People love to tell me that there are no stupid questions.

Well, there are, and I ask them.

I think it’s important to ask questions. I think it’s especially important to ask questions even when you think they might be stupid. Chances are somebody else is wondering the same thing. And once you know the answer, you are less stupid than you were before.

So here’s a list of questions I have about the virus officially known to the International Committee on Taxonomy of Viruses as “severe acute respiratory syndrome coronavirus 2,” and “SARS-CoV-2”, or simply as the disease Covid-19 to the rest of us.

I am under no illusion that any of these questions are particularly astute or original. Some of them are obvious; others might well be stupid. Some have probably already been answered. Others, I know, nobody has answered yet, though scientists and medical professionals the world over are hard at work trying to come up with answers.

So, without further ado, and in no particular order, here’s what I’ve been wondering about:

A pangolin
  1. Once you’ve had Covid-19, can you get it again?
  2. If you get it and do become immune, how long is that immunity likely to last?
  3. Are there different strains of Covid-19 out there? The answer appears to be yes, though the differences are minute. And it doesn’t appear that one is more dangerous than the other. Will yet more strains emerge? Might they be more or less dangerous? I would like to know.
  4. Considering that Covid-19 is a novel coronovirus, a new strain that has not previously been identified in humans, why do otherwise healthy people respond differently to it? Why do some succumb to it, others get very sick, others experience minor symptoms, and yet others show no symptoms at all? Not talking about the elderly and those with underlying medical conditions; just wondering why healthy people respond differently.
  5. Just how infectious is Covid-19? What are the actual odds of getting it if I’m talking to someone who’s infected and I foolishly touch my nose, eyes, or mouth? Will I definitely get it, or am I just likely to?
  6. How exactly did this begin? We know that its origin was natural. Apparently there are two primary possibilities. It could have evolved through natural selection in a non-human host (most likely a bat) and then jumped to humanity through an intermediate host (such as a pig). This is the most likely scenario, and if indeed this was the case, it could easily happen again. A less likely possibility is that a non-pathogenic version jumped to humans (from an animal such as a pangolin) and then, once inside humans, evolved a ruthless ability to bind to human cells, and became the super-villainous virus we all know and hate today.  So… which was it? Or was it some other natural phenomenon altogether? Whatever the case, what can we do to reduce the possibility of it occurring again?
  7. Approximately one third of the planet is currently in lockdown because of the pandemic. What are the rest doing?
  8. Are people still fighting wars while the pandemic rages? If so, where? And more importantly, why? And what will the impact of that be? Nothing good, I would imagine.
  9. Will there be a second pandemic wave? If the 1918-1920 Spanish Flu is any indication, the answer is yes. How do we prepare for that?
  10. When will it be safe to emerge from our homes? The Spanish Flu pandemic lasted two years (though the worst of it was one three month period in 1918). We know more than we knew then. We are responding in an unprecedented fashion pretty much worldwide. One has to hope this will result in a much better outcome.

If I stumble upon any answers, I’ll let you know.

The Great Bookshelf Tour: Fifth Stop

Stop Five on the Great Bookshelf Tour: Third Shelf from the top, left hand side

Today’s tour starts with Robert J. Sawyer‘s Red Planet Blues. What a terrific title. To paraphrase the great Orson Welles,* with a title that good, forget the book, just release the title! Fortunately for us, Sawyer released both.

Sawyer no doubt requires no introduction to readers of this blog. Carol Birch, on the other hand , probably does. An English writer of (at last count) 12 books, she’s the author of the next novel on this section of the shelf, Jamrach’s Menagerie. What a tale this is, with plot elements lifted from the real life story of the whaling ship Essex. If you don’t know anything about what happened to the Essex, great! Don’t go looking. I’m not even going to link to it. Read Jamrach’s Menagerie first, and only then look up the true story. A haunting, unforgettable, riveting tale that will stick with you, and probably dissuade you forever from a career in whaling.

Almost hidden behind that cute little bear up there is The Moon Panther by local Whitby author Jason Shannon, a book I have not read yet. Since writing my own books, I have attended a number of book fairs, and met a lot of other indie authors like me, and if I like them, I generally purchase at least one of their books. This has resulted in a lot of books to read! And I feel tremendously guilty not having read them all yet. This is why, whenever anyone purchases one of my books, I always give them at least ten years to read it, and I’m very good about extensions. But I do very much like to support local indie authors, and I would encourage you all to do the same.

Alongside Jason’s book is Rudyard Kipling’s Tales of Horror & Fantasy, with an introduction by Neil Gaimon, as though Rudyard Kipling requires an introduction. This book was given to me by my youngest sister and her husband back when I broke my ankle to give me something to do, as I guess they figured I’d have a lot of time on my hands. As luck would have it, thanks to technology and the nature of my job, I just wound up working from home, so I didn’t have as much time on my hands as expected. Just the same I managed to read many of the stories within, and appreciated the chance to catch up on my Kipling.

I found this copy of I’ll Have What She’s Having: How Nora Ephron’s Three Iconic Films Saved the Romantic Comedy along the atrium in the CBC Toronto Broadcasting Centre. It looked interesting, so I picked it up, but haven’t read it yet.

Last year, at CANCON, a writer’s convention in Ottawa, I was about to purchase a book in the dealer’s room when I spotted the author of that book. It’s a friendly conference so I thought, oh, I’ll just introduce myself to the author and tell them I’m about to buy their book and maybe they’ll sign it for me and then I’ll have fond memories of our brief encounter while I’m reading the book and forever more. I did so. After informing the author that I was about to purchase their book, my impression was that they could not wait to get away from me. We did not chat and they did not offer to sign their book. So I put the book back and did not purchase it.

Immediately afterward I met the author C. L. Polk, who was as friendly as could be, so I bought her book instead, and she signed it for me. As an author myself, if somebody told me they were about to buy my book, they would have my full and undivided attention, not to mention gratitude. Now, I get that everyone is fighting their own battle, and maybe this other author was having a bad day, or was in a huge rush, maybe really had to pee or something, but… too bad. I bought C.L. Polk’s book instead, and it’s C. L. Polk’s book Witchmark that I’m reading RIGHT NOW instead of theirs. (Well, not exactly right now… when I finish writing this blog post.)

The Knowledge: How to rebuild our World From Scratch, by Lewis Dartnell is the book you want in your hands when civilization finally crumbles, which, from the looks of it, could happen any day now. I bought it thinking it would be handy writing a post-apocalyptic novel, which I’ve always wanted to do. Now I’m thinking it might come in handy in a month or two. (Perhaps I shouldn’t be so flip about our collective possible fate. I’ll just add that to the growing list of other things I shouldn’t do either, such as walk in the house with my boots on. Shh! Don’t tell my wife.)

Legend by David Gemmell is just a terrific book, one I’ve read several times. Thoughtful action/adventure in the sword & sorcery vein, and a treatise on heroism. Highly recommended.

Dune, by Frank Herbert. An SF classic; enuff said. Well, maybe not enough… apparently they’re making another film version of it. Here’s hoping it’s better than past versions.

Stephen King, a couple of books in the Dark Tower series. Gradually working my way through this one. I was lukewarm on the first book, but quite liked The Drawing of the Three, another clever title, I realized, once I completed the book.

The Forever War, by Joe Haldeman. Another absolute classic. If you haven’t read this book already hie thee to a book store immediately (or, um, as soon as the pandemic is over) and pick this one up. You won’t regret it. I’ll take this opportunity to recommend another, lesser known Haldeman book as well: Camouflage, which won the Nebula Award in 2005. Just a great read.

Flesh and Gold, by Canadian author and poet Phyllis Gotlieb. I really enjoyed this book, which I suspect has flown under the radar of SF fans.

Born Standing Up is an autobiography by comedian Steve Martin. This is also a great read, really interesting insight into the man himself, the nature of comedy, and his somewhat sad relationship with his father.

An Army at Dawn by Rick Atkinson. Haven’t read this one yet, but looking forward to it. Some day, when I have the time. Maybe after I retire!

And finally, Frederik Pohl’s Gateway, a neat little SF tale, with a tragic story at its core, that I also wouldn’t hesitate to recommend.

Happy reading!

*Filmmaker Peter Bogdanovitch told Orson Welles he was thinking of changing the title of his film adaptation of the novel “Addie Pray” to “Paper Moon,” but wasn’t sure whether the new title worked. Orson allegedly told him, “With a title that good forget the film, just release the title!”

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