Whenever I was responsible for an on-air radio production fault, I was required to fill out a form called a Trouble Report Follow-up. Here’s one for an issue I was responsible for on Stuart McLean‘s The Vinyl Cafe. As you will see, the consequences of making such a mistake on air were quite dire.
Please answer the following questions providing as much detail as you can.
PART A – Forthe person responsible.
Which fault are you reporting on?
Saturday May 15/04 9:05 out of Toronto MCR The Vinyl Cafe
What caused the fault? Please be specific.
The Toronto MCR tech considered the show levels a tad low, maybe 2dB low I believe he said. He boosted the levels using an analog DA before the show aired.
Have you experienced a similar fault recently? What was the cause?
Is the supervisor aware of the fault?
I expect so.
What can be done to correct the cause of this fault?
I will ensure that future show levels are a tad hotter. Also, as punishment, the boys in master control will not allow me to consume any master control cake for the week of the fault.
It was my first time working with this particular host.
He took a seat before the mic in the announce booth. I’d set up a Neumann U-87 for him. He started talking and then stopped with a funny look on his face. He picked up a pencil and dropped it. The mic picked up the sound of the pencil dropping with exceptional clarity. It was an especially good mic.
I got a bad feeling.
“It sounds weird,” the host said. “There’s something wrong with the sound.”
I thought, oh here we go. This guy had a hit show. He was kind of famous. Famous enough to be difficult to work with, I was willing to bet.
I could not have been more wrong.
Stuart McLean played with the mic some more, having fun with the sound, dropping pencils, making funny noises, just generally being playful, having a good time. Then we got down to the business of recording an episode of his show The Vinyl Cafe.
At that time the producer of the Vinyl Cafe was David Amer, with whom Stuart created The Vinyl Cafe. David worked on the show ten years before handing the reins to Jess Milton. Didn’t matter that David left the show; Stuart continued to credit David as the Founding Producer of the Vinyl Cafe for the rest of the show’s run. Because that’s the kind of guy that Stuart McLean was. Considerate, generous, kind.
Stuart McLean with a Neumann U-87
Sometimes we packaged the show during the evening. One night my mother was flying up from Prince Edward Island to stay with me, but I couldn’t greet her at the airport or see her when she arrived because I had to record Stuart for the Vinyl Cafe. I mentioned this to Jess the Producer. She got on the talk back and told Stuart.
“What’s your phone number?” Stuart asked me.
I told him.
When we figured there was a good chance my mother had arrived, Stuart called my home. My mother answered. It just so happened she was a huge Vinyl Cafe fan.
“Hi Mrs. Mahoney? It’s Stuart McLean. I just wanted to thank you for loaning us your son tonight.”
They had a great little chat. My mother was tickled pink.
Mom got to meet him in person, too, when Jess and Stuart arranged tickets for my folks when The Vinyl Cafe played Summerside, PEI. They were always generous with their tickets. They gave my wife and I tickets for a couple of the live Christmas concerts in Toronto. We thoroughly enjoyed the live shows. Now I wish I’d gone to see every single one of them.
He was a nice guy, for sure, but he wasn’t without sass.
Once he arrived in the studio dressed to the nines in a sharp looking suit.
I looked down at my ragged jeans, with holes in the knees, and said, “Gee, I didn’t know I was supposed to dress up for this gig.”
He said, “Well, you were, asshole.”
He was joking, of course, and I was highly amused. It wasn’t every day you got called an asshole by Stuart McLean.
The odd “asshole” remark notwithstanding, Stuart was every bit as nice as you would expect him to be, in the best possible sense of the word.
It was a privilege to have been able to work with such a man.